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Claude Chabrol, Jacques Rivette (1928 ), Eric Rohmer and the others of the New Wave, often associated with the journal Cahiers du Cinéma, rejected the literary style of the classic French film. They admired the American cinema, particularly the work of film-makers like Howard Hawks, Alfred Hitchcock, Orson Welles, and the B-film directors, but disdained the coherent narrative flow of Hollywood cinema.