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Lodovico Carracci was the founder of the school of painting, but finding that he could not carry out his plan without help, he persuaded Agostino and Annibale to join him in running the school in Bologna, opened 1585. From 1600 he carried it on alone. An artist of scholarly inclination, he made an extensive study of Renaissance masters, especially of Antonio Correggio and Titian. Susannah and the Elders (National Gallery, London) is an important example of Lodovico's work.
Agostino took a leading place in the Bologna academy and in directing its teaching, which was designed to counteract Mannerism. He worked with his brother Annibale on the decorations for the Farnese Palace in Rome 159597, moving to Parma in 1600. His masterpiece is his Communion of St Jerome (Bologna).
Annibale was the most original artist of the three. He studied Correggio's work and was particularly good at drawing (a skill stressed by all the Carraccis). His principal work was the decoration of the Farnese Palace, commissioned by Cardinal Odoardo Farnese (16121646). Based on the theme of the loves of the gods, this set of paintings, exuberant in movement and with a light-hearted approach to its mythological subject, was one of the first major works of the early baroque. Here Agostino joined him and assisted in the work till the two brothers quarrelled.