French composer and organist. His operas, notably
Faust (1859) and
Roméo et Juliette (1867), and church music, including
Messe solennelle/Solemn Mass (1849), combine graceful melody and elegant harmonization. His
Méditation sur le prélude de Bach/Meditation on Bach's Prelude (1889) for soprano and instruments, based on Prelude No. 1 of Bach's
Well-Tempered Clavier, achieved popularity as Gounod's
Ave Maria.
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