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The strong influence of Greek vase painting can be clearly seen in the graphic works Flaxman began to publish while studying in Italy, which include illustrations for Homer (published 1793), Aeschylus (1795), and Dante's Divina Commedia (1797). While in Italy, he also carved several statues in marble, including The Fury of Athamas and a Cephalus and Aurora, from the stories in Ovid's Metamorphoses. With Antonio Canova and Bertel Thorvaldsen, Flaxman was one of the leading neoclassical sculptors.