If punk was as much about stripping away any semblance of melody as it was about iconoclasm, then New York rockers Television were the archetypal post-punk nihilists. The band threw away traditional rock structures and reinvented a raw, energetic brand of improvisational garage rock that would go on to influence guitar bands such as Talking Heads, Echo & The Bunnymen and U2 - their reputation far outstripping any commercial impact.
Television began life in the early '70s as the Neon Boys, a group featuring guitarist/vocalist Tom Verlaine, drummer Billy Ficca, and bassist Richard Hell. At the end of 1973, the group reunited under the name Television, adding rhythm guitarist Richard Lloyd. The following year the band made its live debut at New York's Townhouse Theatre and began to build up an underground fanbase. Hell's spiky hair and safety-pin ripped clothing look would eventually be used by Malcolm McLaren for The Sex Pistols and The Townhouse would become an important venue for emerging punk bands. After the group recorded an unsuccessful demo tape for Island Records in 1975, Richard Hell left the band, going on to form Richard Hell & The Voidoids. Hell was replaced by ex-MC5 and Blondie bassist Fred 'Sonic' Smith and Television recorded a one-off single, Little Johnny Jewel on a small, independent label. The single became an underground hit, attracting the attention of major labels and the band eventually signed with Elektra Records in 1976.
Television unleashed their seminal debut album, Marquee Moon, in 1977. Virtually ignored in America, British punk fans helped to push the album into the UK Top 30, on the back of the single Prove It. Comprised entirely of tense, spiralling garage rockers, Marquee Moon became a trailblazer - Tom Verlaine's tortured vocals melded with Richard Lloyd%u2019s, hypnotic, driving guitar, in turn influenced by a bastard hybrid of the Velvet Underground and The Rolling Stones. The band's incendiary histrionics distinguished them from the more wilfully amateurish punk pack and Television were soon acknowledged as the most musically adept of the new wave acts. The hypnotic, 10 minute title track showcased the driving, free-form guitar interplay between Verlaine and Richard Lloyd. With cult status instantly assured, the band embarked on a tour with Blondie in 1977 to showcase the album.
Television released their second album, Adventure, in 1978 and the band's cult status propelled the album into the UK Top 10. The album contained sporadic moments of genius but lacked the punch of their debut. Ironically, as the New York, new wave scene was at its height, the group fell apart when Richard Lloyd walked out on the during a live tour later that year. Verlaine and Lloyd had been experiencing tensions between them for some time. Tom Verlaine tried to translate his distinctive sound into a more mainstream rock setting with his solo career. His eponymous 1979 album was very much in Television's style. His later records included Dreamtime (1981), Words From The Front (1982), Cover (1984) and Flash Light (1987). While the albums stuck to Television's skeletal, winding, twin guitar, bass and drum blueprint, the songs lacked the tension which had made the group so compelling.
Richard Hell, by contrast, moved towards British influenced punk. He joined Johnny Thunders' Heartbreakers and then formed Richard Hell and The Voidoids in 1976. He recorded punk anthem Blank Generation in 1977 and starred in the punk-exploitation movie of the same name in 1979 effectively playing himself. He also starred in the 1982 film, Smithereens. After the release of a collection of rarities and live material, entitled R.I.P in 1985, Hell effectively quit the music business to concentrate on journalism and poetry. He resumed his musical career in 1991 on an EP recorded with members of Sonic Youth as the Dim Stars. An album followed before Hell issued his own solo EP, Three New Songs in 1992.
While Fred Smith re-joined Blondie, Richard Lloyd also pursued a solo career, playing on John Doe's first album and guesting on acclaimed 1991 album Girlfriend by singer-songwriter Matthew Sweet. Television eventually reformed in 1992 for a critically acclaimed eponymous album, the results suggesting that what Verlaine's solo career was lacking, was the foil of Richard Lloyd's rhythm guitar. They also made a comeback performance at Glastonbury in 1992, prompting a UK and European tour. However the renuion was short-lived - the group disbanded again in early 1993.
In 2003 Television again reunited for a handful of UK shows. Their jerky, paranoia- driven guitar sound seems to fit perfectly today in a musical arena dominated by the retro rock of the Kaisers, Ferdinand, et al, demonstrating the band%u2019s long-lasting influence.
Tiscali Quicklinks. Please visit our Accessibility Page for a list of the Access Keys you can use to find your way around the site, skip directly to the main navigation, to the page content, or to more links within music.