Enlarge imageBy Arthur Spiegelman
LOS ANGELES (Reuters) - Actress Shelley Winters, the two-time Oscar winner whose roles ranged from glamour girls to tramps, died at a Southern California nursing home early on Saturday, a spokeswoman said. She was 85.
Winters died at the Rehabilitation Centre of Beverly Hills about 6:15 a.m. (1415 GMT), a spokeswoman there told Reuters. She declined to disclose the cause of death.
Winters was hospitalised in October after suffering a heart attack.
A blond bombshell who was tough, street-wise and outspoken, the Brooklyn, New York-raised Winters specialised in unsympathetic, abrasive mother roles that won her two Academy Awards for best supporting actress.
In 1959, she won an Oscar for her portrayal of the slobbish Mrs. Van Daan hiding with others from the Nazis in "The Diary of Anne Frank." After a variety of other movies, she won again, playing the violent mother of a blind girl in "A Patch of Blue"
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(1965).
She was also nominated for Oscars for "A Place in the Sun" (1951) and "The Poseidon Adventure" (1972), in which she played a heroine and insisted on doing her own stunt work.
Born Shirley Shrift on August 18, 1920, in East St. Louis, Illinois, Winters moved as a child with her family to Brooklyn, where her father worked as a tailor’s helper. Money was so scarce she was out on the street selling magazines at age 9. She later worked as a Manhattan garment district model and salesgirl before first fulfilling her acting dream in an amateur revue.
Small professional parts on Broadway followed. Spotted by Columbia Pictures mogul Harry Cohn, she spent five years playing small, sexy roles in such films as "What a Woman!" (1943) and "Tonight and Every Night" (1945).
She insistently lobbied director George Cukor for the role of Ronald Colman’s mistress in the hit "A Double Life" (1948), which made Hollywood take note of her considerable talent.
OPPOSITE LIZ TAYLOR
Acclaimed roles in "The Great Gatsby" (1949) and "Frenchie" (1951) were followed by the part in "A Place in the Sun" that quashed her sexy image -- she played the dowdy, frumpy factory worker made pregnant by Montgomery Clift, who drops her for a radiant Elizabeth Taylor. The role firmly established her reputation as an actress.
Winters was directed by a who’s who of Hollywood’s masters, including George Stevens, Robert Siodmak and Charles Laughton. Stanley Kubrick cast her in 1962 as Charlotte Haze, the mother of "Lolita."
She had a roving romantic eye in "Alfie" (1967) and her sights set on crime as Ma Barker in "Bloody Mama" (1970). Other shrill mother roles included the 1968 counterculture film "Wild in the Streets" and Paul Mazursky’s acclaimed 1976 film, "Next Stop, Greenwich Village".
That same year she made "The Tenant" for another famous director, Roman Polanski, in France.
In the early 1970s, she starred in a number of films with dark themes, including "What’s the Matter With Helen" and "Who Slew Auntie Roo," in which she played, in effect, the witch who fattens up Hansel and Gretel.
A student -- and later teacher -- of the "method" school of acting, Winters also won an Emmy Award for "Two is the Number" in 1963.
She gained renewed fame with her 1980 autobiography, "Shelley, Also Known As Shirley," which detailed not only her three marriages but her affairs with the likes of Marlon Brando, Errol Flynn and Burt Lancaster.
She hit the talk-show circuit to plug her second autobiography, "The Best of Times -- The Worst of Times." While she expressed her social and political views, hosts Phil Donohue and Johnny Carson never missed a chance to ask her about the love affairs.
Winters was married and divorced from Paul Mayer, Italian actor Vittorio Gassman, with whom she had a daughter, and actor Anthony Franciosa. She divided her time between California and New York.
