Spider-Man film review

An orphan, Parker lives with his Aunt and Uncle (Cliff Robertson) in Queens and when not thinking of his neighbour, he dreams of becoming a professional photographer. While snapping away during a school visit to a research institute, he is bitten by a genetically altered super-spider. The effects are almost immediate and dramatic. While concealing the transformation from his family and friends, some of the film's best moments come as Parker begins to discover the extent of his arachnid-like powers as he tentatively climbs walls and fires webs from his wrists. Initially he uses his newly acquired gifts in a scheme to try and impress MJ, but following a tragedy he felt he could have averted, he vows to use his Spider-Man persona to save those in peril.

All superheroes naturally require an archenemy. In Spider-Man's case it comes in the angular shape of the Green Goblin (Willem Dafoe). The Goblin too has an alter ego: the rich and wealthy scientist Norman Osborn. Osborn also happens to be well acquainted with Parker, being the father of Peter's best friend, Harry (James Franco). The head of his own weapons engineering company, Osborn takes on his evil verdant persona while conducting an experiment using performance-enhancing drugs. It's a testament to the film's quality that Willem Dafoe provides one of its weaker elements. While all around maintain an admirable restraint, Dafoe goes careering over the top, missing no opportunity to proffer a sinister cackle or wicked grimace.

Spider-Man features many highlights, including J.K. Simmons indelible performance as J. Jonah Jameson, the blunt spoken editor of the Daily Bugle. One minor gripe is the flat ending which seemed more concerned with setting up the inevitable sequel than providing a triumphant finale to what had been a thoroughly entertaining caper.